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Category: Communication to the public

Axel Voss’s amendments to Copyright DSM on 12 September

The increasing imbalance between powerful platforms and press publishers, which can also be news agencies, has already led to a remarkable regression of the media landscape on a regional level. In the transition from print to digital, publishers and news agencies of press publications are facing problems in licensing the online use of their publications and recouping their investments. In the absence of recognition of publishers of press publications as right holders, licensing and enforcement in the digital environment is often complex and inefficient.

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Russian TV channels asked the court to block Yandex for copyright infringement

Russian TV channels, belonging to major Russian media holding Gazprom Media, have applied to Moscow court for preliminary measures in relation to Russian search engine Yandex for copyright infringement. The court sided with applicants and notified Russian internet watchdog Roskomnadzor thereof.

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Major Russian media companies have taken off their online broadcasting from main Yandex’s main page

A few major Russian media companies – Gazprom Media, National Media Group and The First Channel – have taken off their online broadcastings from main page of Russian search engine Yandex’s due to piracy accusations. Media companies not alone in their concerns. Not so long time ago right holders in entertainment content have accused Yandex of piracy.

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Estonian’s OPTION B of article 13 for DSM copyright directive

Clarification of communication to the public in the text

Over the last years, the functioning of the online content marketplace has gained in complexity. Online services providing access to copyright protected content uploaded by their users have flourished and have become main sources of access to content online. Legal uncertainty exists as to whether such online services engage in copyright relevant acts and need to obtain authorisations from rightholders for the content uploaded by their users who do not hold the relevant rights in the uploaded content. It is therefore necessary to clarify the copyright relevant obligations applicable to online services providing access to copyright protected content uploaded by their users.

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Sometimes Russian Roskomnadzor, but not the court, decides whether there is copyright infringement

Russian social network Vkontakte is Russian Facebook. It is very popular. Many people use it every day. This social network allows its users to upload a video and music, share this content. Other users can not only listen or watch music or video, they can also download it thanks to different apps or special web-sites.

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Estonian’s option A of article 13 for DSM copyright directive

Self-standing obligation of measures

Over the last years, the functioning of the online content marketplace has gained in complexity. Online services storing and providing access to copyright protected content uploaded by their users have flourished and have become main sources of access to content online. When the content is uploaded by users who do not own the relevant rights in the whole or parts of the content they upload, this situation affects rightholders’ possibilities to determine whether and under which conditions their content is used as well as their possibilities to get an appropriate remuneration for it. It is therefore necessary to provide for certain measures that these service providers should take to protect the content.

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Strengthening the Press Through Copyright – why a publisher’s right is required

The briefing note by committee of legal affairs demonstrates that the new, related right for press publishers provided in Article 11 of the ‘Proposed DSM Directive’ is required to address pressing market failures in the area of the online press. The note also outlines why the proposed Article 11 is proportionate and the criticism raised against it by various stakeholders is not compelling.

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SWD IA on EU copyright modernisation – Impacts of baseline on availability of EU AV on VOD

The limited availability of EU AV works on VoD platforms is expected to persist under the baseline option. The maturity of the VoD market in terms of revenues has not been reached yet. In the absence of any intervention at EU level, contractual blockages are likely to persist. In many cases, the licensing process for EU AV works would remain burdensome.

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