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Category: Competition

Russian government proposed three-year term for property rights of copyright owners

Under Russian copyright law, and not only under Russian law, the owner of copyright, the author, publisher has a property right to receive remuneration for exploitation of its rights in work. Economical rights of creators must be protected under national laws of different countries, including Russia, and under international law. But Russian government decided to simplify the law concerning mandatory licensing of public performance right and provided three-year term for economical rights of copyright owners.

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US Copyright Office on “full-work” licensing – Concerns Regarding 100-Percent Licensing

Mandatory 100-percent licensing of jointly owned works would contravene the basic rule adopted in the 1976 Act that ownership of copyright, and the exclusive rights comprised in a copyright, are divisible without limitation. The Act provides that a copyright may be transferred to another person “in whole or in part,” and that exclusive rights, “including any subdivision of any of the rights,” may be transferred and owned separately. Thus, as one court has described it, a copyright may be “chopped up and owned separately, and each separate owner of a subdivided exclusive right may sue to enforce that owned portion of an exclusive right, no matter how small.”

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Public consultation on copyright management eco-system in Singapore

Traditionally, in areas where there are many creators and users of copyrighted works, collective licensing bodies or collective management organisations (“CMOs”) have managed the copyrighted works for the creators. This is because it is impractical for a creator to negotiate and license the use of his or her works to numerous users individually.

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A consultation paper on options for reform to the copyright board of Canada – collecting societies

Among the options proposed in consultation paper for reform to the copyright board of Canada it could be outlined some of them with regard to collective rights management and tariff setting procedure, including the practice of individual agreements or the analogue of interim license in USA.

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Web-resource Sports.ru revealed payola conditions of its very good “colleague” – Match TV

Sports.ru and Match TV are big “friends” in sport world. Sometimes they express “compliments” with each other. This time it was turn of Sports.ru. The web-resource revealed payola conditions of Match TV. If you are football club and need promotion – pay and receive broadcasting time. The prices are good – it is big Russian federal channel.

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SWD Impact assessment on the modernisation of EU copyright rules – the general objective

The Internet has favoured the entry of new market players and the development of new services (e.g. music streaming services, Video on Demand – VoD – platforms, etc.) providing access to a large quantity and variety of content online. Digital technologies also offer new opportunities to cultural heritage institutions (CHIs) willing to digitise and disseminate parts of their collections that would otherwise remain confined to their premises with limited access to the public.

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Russian ministry of culture has proposed amendments to cinematographic law aiming to bite Hollywood

Russian ministry of culture (MinCult) has proposed amendments to the Russian law on “State support of Russian cinematography”. These amendments reflect the idea to protect Russian cinema market from Hollywood’s “occupation” and to provide more opportunities in internal Russian marketplace for movies produced in Russia.

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Proposals to Directive on copyright in DSM – The matters of rights in content

Video-on-demand services have the potential to play a decisive role in the dissemination of audiovisual works across the European Union. However, the availability of those works, in particular European works, on video-on-demand services remains limited. Agreements on the online exploitation of such works may be difficult to conclude due to issues related to the licensing of rights.

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Public comment on collective rights management rules review by National Association of Broadcasters

NAB members are both creators and users of copyrighted works and, as such, recognize the important need to balance the rights of copyright owners against the public interest. The blanket licensing of performance rights is inherently anti-competitive because the very nature of the PRO’s blanket license involves the fixing of a single price for all music, irrespective of which songs are actually used.

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The Russian president is concerned of widespread counterfeiting in light industry

The counterfeiting in light industry is of chronic nature, he stated at the meeting on development of light industry. This problem undermines competition in internal market and causes a great risk to health of citizens. In 2013 the share of counterfeit was about 39% or more than 1100 billion Roubles. Today the share of counterfeit is about 33% or 860 billion Roubles. The dynamics for three years is not “impressive”. The key factor for development of light industry is elimination of counterfeiting and illegal import in Russia.

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