Employment in the cultural sector is unlikely to be offshored, as it is connected to specific cultural, often regional and historical competences. CCIs contribute significantly and more than any other sector to youth employment and have proved to be most resilient during the post-2008 economic crisis. It is increasingly rare for cultural and creative artists to be in permanent employment.
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Russian watchdog, protecting consumers’ rights and interests, proposed to make a list of online stores, which can operate in Russia. Such list would be some kind of registry, containing the web-sites having the rights to operate in Russia. New proposal concerns not only Russian online stores, but also foreign.
Comments closedEfficient, well-designed and balanced intellectual property (IP) systems are a key lever to promote investment in innovation and growth. Intellectual Property Rights (IPRs) are one of the principal means through which companies, creators and inventors generate returns on their investment in knowledge and creation.
Comments closedIntellectual property rights (‘IPR’) protect intangible assets, allowing creators, inventors and artists to profit from their creative and innovative activities. Intangible assets account for more than half the value of companies, and their importance is growing. In a world where EU companies are increasingly competing on innovation, creativity and quality, intellectual property (‘IP’) is a powerful tool for growing the competitiveness of all companies, including small- and medium-sized enterprises (‘SMEs’).
Comments closedUnder the baseline scenario, broadcasters would continue facing high transaction costs linked to licensing of rights for cross-border online transmissions, including for their own programmes. Existing voluntary initiatives aimed at promoting the aggregation of rights and the granting of multi-territorial licences could nevertheless contribute to facilitating the clearance of rights for musical works and phonograms used in in radio and TV broadcasts.
Comments closedA work of authorship is considered a joint work “if the authors collaborated with each other, or if each of the authors prepared his or her contribution with the knowledge and intention that it would be merged with the contributions of other authors as ‘inseparable or interdependent parts of a unitary whole.’”
Comments closedOlga Golodec, the vice premier of Russian government, at the meeting of All-Russian choral society has instructed its members to establish single digital music library. Such library must consist of sheets music, texts and recordings of exemplary performance of musical works.
Comments closedThis action principally concerns whether critical commentary on a creative video posted on YouTube constitutes copyright infringement. Matt Hosseinzadeh filed action in response to a video created by Ethan and Hila Klein, in which they comment on and criticize Hosseinzadeh’s copyrighted video. The Kleins’ criticism and commentary is interwoven with clips from the Hoss video.
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This appeal presents a single question: does BMI’s Consent Decree prohibit BMI from licensing a fractional interest in the public performance right to a musical work (commonly referred to as “fractional licensing”), when BMI does not control the entirety of the public performance right for that musical work? As demonstrated below, the answer to this question is no.
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