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Dekuzu Posts

Estimating displacement rates of copyrighted content in the EU

The extent to which digital consumption of pirated materials displaces legitimate purchases is of fundamental importance for EU copyright policy design. The European Commission has commissioned Ecorys to carry out a study on the relation between online copyright infringement (digital piracy) and sales of copyrighted content. Here is the key findings.

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What interfere USA with enjoyment of IP in Russia according to MPAA

Russia’s customs authorities continue to assess duties on the royalty value of some imported audiovisual materials, rather than solely on the physical value of carrier medium. This is contrary to standard international practice. Such assessments are a form of double taxation, since royalties are also subject to withholding, income, value-added and remittance taxes.

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Australian Government Response to the Productivity Commission Inquiry into Intellectual Property Arrangements

The Government recognises the inefficiencies and uncertainty that can arise from agreements which seek to exclude or restrict legal copyright exceptions and wants to ensure that statutory rights tofairly deal with copyright material are protected.

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Mid-Term Review on the implementation of the Digital Single Market Strategy

The Commission has conducted a fact-finding exercise on platform-to-business trading practices. Preliminary results indicate that some online platforms are engaging in trading practices which are to the potential detriment of their professional users, such as the removal (‘delisting’) of products or services without due notice or without any effective possibility to contest the platform’s decision.

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Proposals to Directive on copyright in DSM – communication to the public

Over the last years, the functioning of the online content marketplace has gained in complexity. Online services providing access to copyright protected content uploaded by their users have flourished and have become main sources of access to content online. Legal uncertainty exists as to whether such online services engage in copyright relevant acts and need to obtain authorisations from rightholders for the content uploaded by their users who do not hold the relevant rights in the uploaded content.

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How Russian minister of culture resolved the dispute with copyright in popular cartoons between Danone and “Souzmulfilm”

There are a lot of popular Russian cartoons in Russia. Such cartoons have been produced in soviet times. Therefore almost nobody has cared about copyright. With appearance of private capital the copyright became a very important thing. Therefore the matter of copyright ownership suddenly arisen for some companies. Their business bases on copyright. Without rights in content the existence of such companies does not make a sense.

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The Russian ministry of culture has changed its mind about 5 mln roubles for permission to show movies on a big screen

Russian ministry of culture (MinCult) initially proposed to require 5 mln roubles for permission to distribute movies in Russian cinemas. Hollywood companies would survive it unlike other independent Russian companies, receiving funds for production from Russian state. “5 mln proposal” would exclude from distribution market many Russian companies and distributors, many premiers would be in internet, and the Hollywood would stay a “favorite of big screen”. That was not the purpose of MinCult.

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Should architects be deprived of copyright in Russia?

Sometimes for certain entrepreneurs it is quite profitable to make business with state. Property development is not an exception. Development companies receive contracts and can be sure that they receive payments in full and in time. Russian state authorities believe they pay large sums of money; therefore they want to receive everything from contractor, including copyright in design and construction documentation.

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SWD Impact assessment on the modernisation of EU copyright rules – options to achieve the objectives (option 2)

Application of country of origin to the clearing of rights for broadcasters’ online services ancillary to their initial broadcast

Introduce a rule providing that as concerns the licensing of rights for certain online transmissions by broadcasting organisations, the copyright relevant act takes place solely in the MS where the broadcasting organisation is established. As a result, in order to provide certain services in the Union, rights would only need to be cleared for the “country of origin” (CoO) of the broadcasting organisation (and not for the countries of reception).

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