{"id":2918,"date":"2019-08-28T15:07:05","date_gmt":"2019-08-28T15:07:05","guid":{"rendered":"https:\/\/www.dekuzu.com\/en\/?p=2918"},"modified":"2020-02-04T17:18:11","modified_gmt":"2020-02-04T17:18:11","slug":"copyright-registration-issues-for-dramatic-works","status":"publish","type":"post","link":"https:\/\/www.dekuzu.com\/en\/2019\/08\/copyright-registration-issues-for-dramatic-works.html","title":{"rendered":"Third edition of USA copyright office compendium \u2013 copyright registration issues for dramatic works"},"content":{"rendered":"\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">A \u201cjoint work\u201d is \u201ca work prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of a unitary whole.\u201d Scripts for stage and screen are often written by multiple authors. If the authors of the script intend to merge their contributions into inseparable or interdependent parts of a unitary whole, the script is a joint work, and the applicant should name all the joint authors in the application.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\"><!--more--><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">Musical plays containing script, lyrics, and music are frequently written by multiple authors. If the authors of the script, lyrics, and music intend to merge their contributions into inseparable or interdependent parts of a unitary whole, the musical is a joint work, and the applicant should name all the joint authors in the application.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">Different components of a dramatic work may be registered together as a joint work if the authors intended to merge their contributions into a single, unitary whole. By contrast, the elements should be registered separately if there was no intent to merge the elements when the authors created them. If there is some indication in the registration materials that the authors of the separate elements did not intend to merge the elements into a unitary whole (e.g., separate copyright notices), the registration specialist may communicate with the applicant to clarify the authors\u2019 intent.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">When all of the authors\u2019 contributions (e.g., score, music, lyrics, script, book\/libretto) have comparable weight and the application names all of the contributors as authors (e.g., composer, lyricist, playwright), the registration specialist will not communicate with the applicant to clarify the facts of authorship. If there is some indication in the registration materials that one or more authors did not contribute copyrightable authorship to the work as a whole (e.g., statements on the deposit or application), the specialist may communicate with the applicant to clarify the facts of authorship.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">The Office frequently receives copyright applications to register brief synopses that summarize other works of authorship. When preparing an application to register such works, the applicant should assert a claim in the synopsis itself, but often applicants erroneously describe the work that is summarized in the synopsis (e.g., a television show).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">If the synopsis contains sufficient copyrightable textual expression, but the applicant erroneously describes the author\u2019s contribution as a \u201cdramatic work\u201d or \u201cscript,\u201d the registration specialist will add an annotation to the record, such as: \u201cRegarding authorship information: Deposit contains synopsis only.\u201d If the synopsis contains sufficient textual expression, but the applicant erroneously describes the author\u2019s contribution as an idea, concept, or the like, the specialist will communicate with the applicant.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">Where the synopsis is very short and\/or merely amounts to an idea (e.g., \u201cI have an idea for a television show that will feature famous guest stars\u201d), the specialist will refuse registration if the authorship is insufficient to support a claim in a dramatic work or literary work. Where the work contains sufficient text to be copyrightable, but it is clear that the applicant is seeking to protect the idea, the specialist may add an annotation to the record, such as: \u201cRegarding authorship information: ideas not copyrightable.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">The Office may accept a redacted version of a screenplay for a motion picture (including screenplays for feature films, television programs, or other works of a similar nature), if the applicant requests special relief from the deposit requirements and confirms that the following <a href=\"https:\/\/www.dekuzu.com\/en\/docs\/Third_edition_of_USA_copyright_office_compendium.pdf\">conditions<\/a> (<a href=\"https:\/\/www.dekuzu.com\/en\/docs\/Draft_third_edition_of_USA_copyright_office_compendium.pdf\">draft<\/a>) have been met:<\/span><\/p>\n<ul style=\"text-align: justify;\">\n<li><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">The motion picture must be in production (e.g., filming has commenced).<\/span><\/li>\n<li><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">Infringement must be anticipated.<\/span><\/li>\n<li><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">The applicant must file an online application and upload the redacted screenplay in Portable Document Format (PDF) or other electronic format approved by the Office.<\/span><\/li>\n<li><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">The applicant must specify the anticipated date of release for the motion picture.<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">The redacted copy of the work must reveal at least half the work, and the redaction must be done in a manner that will allow the Office to compare and authenticate the redacted copy with an unredacted copy of the same work. If the work is approved for registration, the registration specialist will add an annotation to the record, such as: \u201cRegarding deposit: special relief granted under 37 C.F.R. 202.20(d).\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">In all cases, the applicant must submit a complete unredacted copy of exactly the same screenplay within ten business days after the release of the motion picture. In addition, the applicant must pay the appropriate fee for locating and retrieving the redacted copy from the Office\u2019s files.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">The Office will compare the redacted and unredacted copies to confirm that they match each other. The Office has the authority to cancel the registration for the screenplay if (i) the complete unredacted copy of the screenplay is not received in a timely manner, (ii) the applicant fails to pay the fee for locating and retrieving the redacted copy, or (ii) the redacted and unredacted copies do not match.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">If the applicant provides a date of publication in the application, but states that the date refers to a performance of the work, the registration specialist will communicate with the applicant, because a performance, in and of itself, does not constitute a publication. Publication of a motion picture or other audiovisual work publishes all of the components of that work. Once a dramatic work has been published as part of a motion picture or television show, the dramatic work may not be registered as an unpublished work.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A \u201cjoint work\u201d is \u201ca work prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of a unitary whole.\u201d<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.dekuzu.com\/en\/2019\/08\/copyright-registration-issues-for-dramatic-works.html\">Continue reading<span class=\"screen-reader-text\">Third edition of USA copyright office compendium \u2013 copyright registration issues for dramatic works<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,5,39,18],"tags":[],"class_list":["post-2918","post","type-post","status-publish","format-standard","hentry","category-intellectual-property","category-copyright","category-interpretation","category-law","entry"],"_links":{"self":[{"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/posts\/2918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/comments?post=2918"}],"version-history":[{"count":1,"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/posts\/2918\/revisions"}],"predecessor-version":[{"id":2919,"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/posts\/2918\/revisions\/2919"}],"wp:attachment":[{"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/media?parent=2918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/categories?post=2918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dekuzu.com\/en\/wp-json\/wp\/v2\/tags?post=2918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}