Rumble operates an open video platform that sources, validates, provides clearance management, distribution and monetization for video content. It is a content-creator-centric platform, whose main goal and core business model has always been to help video creators increase distribution and monetize their videos. Rumble allows video creators to host, share, monetize and distribute their video content from one centralized account.
Comments closedCategory: Copyright
The ancillary online services covered by this Regulation (official document) are those services offered by broadcasting organisations which have a clear and subordinate relationship to the broadcast. They include services giving access to television and radio programmes in a linear manner simultaneously to the broadcast and services giving access, within a defined time period after the broadcast, to television and radio programmes which have been previously broadcast by the broadcasting organisation (so-called catch-up services).
Comments closedA compilation or a collective work may be registered with the U.S. Copyright Office, provided that it constitutes copyrightable subject matter. If the authorship involved in creating the compilation or collective work as a whole (i.e., the author’s selection, coordination, and/or arrangement) does not fall within one or more of the congressionally established categories of authorship, the registration specialist may communicate with the applicant if the authorship appears questionable or may refuse registration.
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This Regulation should ensure that, in accordance with Article 9 of the Marrakesh Treaty, the contracting parties provide financial and human resources to facilitate international cooperation between authorised entities, the adequate availability of accessible format copies and the cross-border exchange of such copies.
Comments closedOne Russian publishing house “Azbuka-Attikus” has filed complaint to the Moscow department of Russian Federal Anticompetitive Service (MDFAS) in relation to other publishing house “Eksmo”. According to complaint “Eksmo” has copied design of book covers created by “Azbuka”.
Comments closedThanks to internet it is not so easy for book publishers to survive in market realities. Many books are available in internet and not always in accordance with law and with permission of right holder. One Russian publishing house decided to pay for information on their books which were counterfeited in hard copies. The informant can receive up to 10% from value of counterfeited books.
Comments closedThe Act introduces a ‘safe harbour’ of ‘permitted communications’ which allow parties to communicate and take some steps towards resolving disputes without running the risk of triggering litigation. The provisions allow rights holders to attempt to identify the source of infringement by engaging with those further down the supply chain under a clear framework.
Comments closedPublic comment by National Music Publishers Association on collective rights management rules review
NMPA believes the consent decrees have become a significant impediment to a well-functioning market for licencing the performances of musical works, resulting in inefficient licencing and failing to provide fair market-based compensation for songwriters and music publishers.
Comments closedA derivative work may be registered with the U.S. Copyright Office, provided that it constitutes copyrightable subject matter. Derivative works are a subset of the subject matter categories, rather than a separate and distinct category of work. In other words, the new material that the author contributed to the derivative work must fall “within one or more of the categories listed in section 102 of the Copyright Act.”
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