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Category: Copyright

Music industry honors ICE agents

ICE Homeland Security Investigations (HSI) agents stationed in the United States, Canada, France and Netherlands were recognized by L. Carlos Linares, vice president of Anti-Piracy Legal Affairs at RIAA, for their role in aggressively pursuing a North Carolina man who had personally pirated upwards of $7 million worth of songs, albums and other copyright protected content on the websites RockDizMusic.com and RockDizFile.com before they were seized by HSI authorities in 2014.

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UK IP enforcement 2020 – Tackling the trade in counterfeit goods

Tackling the trade in counterfeit goods requires the cooperation and coordination of a wide range of enforcement partners. For example, there are opportunities to work with the Local Government Association, local authorities and Police and Crime Commissioners to ensure that the harm caused at a local level is understood and enforcement is prioritised accordingly. IPO has a key role to play in acting as the focal point in the UK for collecting data on trends and emerging issues, and working with its partners to find appropriate ways to address these issues. IPO will build on its current work in this area, to provide a coordinating and supporting role to those bodies on the front line. IPO will do this by:

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Making the online world a place of legitimate activity for UK businesses and consumers

Making it easier for consumers to recognise and avoid copyright-infringing websites by:

  • Reviewing notice and takedown procedures to improve and streamline the process and consider the scope for introducing a Code of Practice for intermediaries.
  • Examining the scope for introducing a system of notice and trackdown to enable rights holders to take action directly against the identified infringer.
  • Pushing within Europe for clarification of the current EU rules around platform liability and improving the current system to allow rights holders to more effectively protect and legitimately exploit their copyright.
  • Developing understanding of the challenges posed by set-top boxes and IPTV (Internet Protocol Television), and work with partners to tackle this emerging and fast growing method of infringement.

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The new draft about mirrors of illegal web-site is not good enough to be a law in Russia

Russian governmental experts found draft amendments to law “About information, its protection and informational technologies”, considering mirrors of already blocked pirate web-site in Russia as pirate resources, not suitable for implementation of such idea in practice.

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Russian Rutracker is back again?!

As long as domain Rutracker.org is permanently blocked, it means forever, Rutracker team decided to change few letters in its domain address. It was Rutracker.org, now it is Rutracker.net. It still works. Domain. As declared Rutracker’s “administration”, the new launched website is official “mirror” of Rutracker.org. The “new” website will work as usual and on continuing basis.

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Russian collecting societies are required to pay social security fees

Social security fees must be paid from royalties collected in behalf of authors by collecting societies in Russia. Russian CMOs have not paid these social security fees to Russian pension fund within three last years. According to letter obtained by Vedomosti, and written by Anton Dronov, chairman of Russian Pension Fund, to Andrey Pudov, deputy of minister of labor and social security, Russian state pension fund wants to get these monies.

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Future of Music Coalition’ public comment on collective management rules review

Direct deals by consolidated music publishers are de facto anticompetitive, lacking in transparency and potentially harmful for songwriters. At the recent round of music licensing hearings before Congress, BMI addressed the issue of “interim licensing.” Both ASCAP and BMI have the ability to negotiate interim fees. While FMC acknowledges that the addition of interim licensing may be an equitable solution, any modification regarding interim licensing or fees must preserve direct payments to songwriters, the 50/50 splits, and promote greater transparency for the benefit of songwriters who require accurate royalty statements and services seeking clarity on what repertoire is available to perform. FMC, however, also acknowledges that interim licensing could shift the “holdout” problem, demotivating PROs to come to reasonable fee agreements. Combined with the proposals for mandatory arbitration, interim licensing could potentially leave songwriters and end-users in a dead-zone without any recourse, stuck with payments under new interim licenses and lacking any bargaining power to arrive at reasonable licensing through an equitable or meaningful grievance mechanism.

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Reforming of copyright in EU and considered policy options – Option 4

A unitary copyright title and European Copyright Code

Option 4 would be achieved through a Regulation setting out common EU rules and replacing national legislation with a legal base of Article 118 TFEU. A single EU copyright title would be developed to replace national copyright titles. Under a unitary title, the exclusive rights would be defined as being protected in the whole territory of the EU.

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Reforming of copyright in EU and considered policy options

Summary of Impacts of Option 3b

Territoriality and absolute territorial restrictions in licensing agreements

Under the “country of origin” principle, a service provider can use the licence in its country of origin (possibly obtained from a person holding the rights in that country only) in order to actively market content outside its country of origin as well. When rights are territorially fragmented, e.g. when different persons or entities hold the rights for different Member States, a service provider established in one Member States may therefore undermine the economic position of right holders in other Member States.

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