Not only Russian copyright, broadcast and digital law
This technical consultation covers the proposed changes to Schedule 1 CDPA to ensure equal treatment of copyright works made prior to 1 June 1957; and the amendment and repeal of some of the 1995 Regulations to ensure compliance with Article 2 of Directive 2001/29/EC 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society (InfoSoc Directive).
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Any restrictions on ASCAP or BMl’s ability to administer PRS’s repertoire effectively in the US will directly prejudice the royalties flowing to PRS’s members and undervalue PRS’s members’ musical works in the US.
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Austrian Institute for SME Research and VVA Europe has conducted this study on behalf of the Executive Agency for Small and Medium-sized Enterprises (EASME) of the European Commission. Here are some interesting things; all details are available in full report.
The European Union Intellectual property office has published report (de) presenting the results of the eighth sectorial study, covering the production of two products: spirits and wine. It is estimated that the legitimate industries loses approximately €1.3 billion of revenue annually due to the presence of counterfeit spirits and wine in the EU marketplace, corresponding to 3.3% of the sectors’ sales.
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The European Commission has found that a Spanish scheme compensating terrestrial private broadcasters for carrying out parallel broadcasting during the digitisation of the terrestrial television signal is in breach of EU state aid rules. As no aid has been granted yet, no recovery will be required.
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Lidia Joanna Geringer de Oedenberg
The EU faces a high number of intellectual property rights infringements, whereas the volume and financial value of these infringements are alarming, as reported by the Commission in its report on the application of the Directive on the enforcement of intellectual property rights; in spite of the small reduction in the number of packages suspected of infringing intellectual property rights, customs authorities noted as many as 87 000 incidents of such abuses in 2013, while the value of the 36 million articles seized is estimated at more than EUR 768 million.
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The cultural and creative sectors are a driver of economic growth, job creation and external trade. That is why culture is becoming increasingly important at EU level. Eurostat compiles statistics on culture from several data collections conducted at EU level to provide policy-makers and other users with information on the main trends in employment, business, international trade, participation and consumption patterns in the field of culture. If you don’t want to read all this stuff (about 200 pages), you can just read the most interesting.
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Virginie Rozière
Adequate protection of intellectual property rights is a prerequisite for the development of the digital economy and of the digital single market. Considers that respect for the exercise of intellectual property rights and efforts to combat counterfeiting should be the main objectives of the action plan.
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In 2015, the European Union Intellectual Property Office (EUIPO), through the European Observatory on Infringements of Intellectual Property Rights, commissioned a research study on business models used to infringe intellectual property rights (IPRs). The initiative is envisioned as an independent data-driven study that will assess and analyse specific techniques used to facilitate online IPR infringements on a commercial scale.
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The EU faces a high number of intellectual property rights infringements, and the volume and financial value of these infringements are not insubstantial, as reported by the Commission in its report on the application of the Directive on the enforcement of intellectual property rights (COM(2010)0779). IPR infringements have an impact on SMEs and on business-to-business services, and can lead to the loss of markets and bankruptcy.
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