Not only Russian copyright, broadcast and digital law
CEO of Russian union of right holders, collecting private copying levy under state accreditation, and VOIS, collective management organisation collecting royalties under state accreditation for all worldwide repertoire, explained the main tendencies in Russian collective rights management and his vision of perspectives.
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Under the consent decrees, for an end-user to obtain a blanket license it need only write a letter to ASCAP or BMI asking to do so. While the ensuing blanket license process is a highly efficient means of clearing music rights for use in the media, rates are sometimes disputed in the rate court where prior licenses are cited to help the rate court determine a reasonable fee for the music user.
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Or in other words – why such major companies like Universal, Warner etc. receive much more money for their copyright in content exploited in Russian social networks and they receive money in advance, but Russian music publishers and record labels receive much lesser, in best case, if nothing at all?
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AVMSD currently covers broadcasters and certain on-demand video services and requires Member States to impose minimum rules for the regulation of audio-visual media services in specific coordinated fields. In doing so, it establishes the country of origin principle for the regulation of media services within its scope of application, with certain exceptions to avoid abuses. The new proposal seeks to bring video-sharing platforms within its scope of application, also imposing new obligations on on-demand services.
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Parallel import restrictions (PIRs) on books are the physical equivalent of geoblocking. Except in limited cases, Australian booksellers are prevented from purchasing stock from lower priced suppliers overseas, but must purchase from an Australian publisher regardless of the price.
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Intellectual property (IP) arrangements offer opportunities to creators of new and valuable knowledge to secure sufficient returns to motivate their initial endeavour or investment. In this respect, they are akin to the property rights that apply to ownership of physical goods. But ideas are not like physical goods in other key respects. Ideas also provide economic and social value as others draw on them and extend the frontiers of knowledge. For these reasons, property rights over ideas and their expression are not granted in perpetuity and limitations are placed on their application.
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Internet companies have almost agreed with certain provisions of proposed regulations for OTT-services operating in Russia, but also have their own amendments in order to improve regulation and exclude from its scopes Russian projects, including those, which already have been funded by foreign investors and operate in Russia.
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The European Commission is inviting comments on commitments offered by Amazon to address competition concerns relating to parity clauses in contracts with publishers. The clauses may breach EU antitrust rules and result in reduced competition among e-book distributors, and less consumer choice.
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Russian minister of culture, Vladimir Medinsky, believes it should be done much more in order to support Russian cinematography. How this goal could be achieved? Restrict opportunities for Hollywood. Why Hollywood? Perhaps because there have been produced more successful and popular movies?
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In relation to digital content, the sector inquiry investigates the presence of territorial restrictions and geo-blocking in the online distribution of digital content. The sector inquiry also examines the prevalent copyright licensing models for online distribution and their possible impact on competition, in particular, with respect to market entry and the possibility of developing new business models or new services.
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