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Category: Distribution

When plagiarism in design is a more likely the matter of competition than copyright

One Russian publishing house “Azbuka-Attikus” has filed complaint to the Moscow department of Russian Federal Anticompetitive Service (MDFAS) in relation to other publishing house “Eksmo”. According to complaint “Eksmo” has copied design of book covers created by “Azbuka”.

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One Russian major book publishing house decided to pay for information on pirates

Thanks to internet it is not so easy for book publishers to survive in market realities. Many books are available in internet and not always in accordance with law and with permission of right holder. One Russian publishing house decided to pay for information on their books which were counterfeited in hard copies. The informant can receive up to 10% from value of counterfeited books.

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New law provides regulation for audio-visual services operating in Russia

The law provides definition of organiser of audio-visual service. It is an owner of web-site and/or its single page in Internet network and/or software for computers, which are exploited (web-site, page or software) to form and/or to organise dissemination in Internet a set of audio-visual works, if access to such audio-visual works is provided for payment and/or under condition to view an ads, intended to attract attention of consumers, residing in Russia, and the quantity of visitors is not less than 100 thousands a day from territory of Russia.

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Proposed amendments to Marrakesh EU directive

This Directive should provide for a mandatory exception to the rights that are harmonised by Union law and are relevant for the uses and works covered by the Marrakesh Treaty. Such rights include, in particular, the rights of reproduction, communication to the public, making available to the public, distribution and lending, as provided for in Directives 2001/29/EC, 2006/115/EC and 2009/24/EC, as well as the corresponding rights provided for in Directive 96/9/EC. As the scope of the exceptions or limitations required by the Marrakesh Treaty also includes works in audio form, like audiobooks, the mandatory exception provided for under this Directive should also apply to related rights.

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Russian ministry of culture intends to set up limits for distribution of movies in Russian cinemas

The core idea of new draft law, which is not presented to the public, is condition for distribution of movies in cinemas in Russia – not more than 35% of all film sessions during single day for one film in one cinema. Russian ministry of culture (MinCult) has only launched to develop draft law.

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Russian Roskomnadzor very carefully monitors pirated copies of “The Putin Interviews” in Internet

Russian Roskomnadzor requested more than 100 web-sites to restrict access to illegal copies of “The Putin Interview” by Oliver Stone. The exclusive rights in “Interview” have been acquired by Russian First Channel for Russian territory.

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Extending the scope of the geo-blocking prohibition: an economic assessment

On 25 May 2016, the European Commission presented a proposal for a regulation on addressing unjustified geo-blocking. New analytical paper illustrates the prevalence of geo-blocking in e-commerce and summarizes available relevant evidence. It also discusses the economic impact of lifting geo-blocking restrictions in online goods and copyrighted digital content services.

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Russian Ministry of culture wants to clear Russian market from “low-budget foreign movies”

Russian ministry of culture (MinCult) and Russian movie producers have agreed that in order to distribute movie in cinemas the distributor of such movie, regardless of whether this movie is of Russian production or foreign production, like Hollywood, must pay not less than 5 million Russian roubles for permission.

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Reforming of copyright in EU and one of the questions concerned: user-generated content

User Generated Content (UGC) is understood as referring to cases where a pre-existing work is taken by a user as a starting point for his/her own expression, modified or transformed in one way or another, and then made available online. It may also include the merging of two pre-existing works (“mash-ups”). The threshold may be lower than “a certain amount of creative effort”. It excludes the case of “mere upload”, where a user merely distributes on the internet (by uploading and sharing it) pre-existing works without having intervened in any way on the work. It also excludes “creation from scratch”, i.e. the case where a user creates a new work “from scratch”, without relying on a pre-existing work.

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