A substantial part of the law on copyright in the UK is derived from EU law. There are 11 EU Directives all of which have been implemented by the UK. The purpose of the Directives is to harmonise the copyright frameworks in Member States, by reducing national discrepancies and maintaining a level of protection which encourages creativity and enables consumers from across the EU to access services.
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Recently audiovisual right holders have signed antipiracy memorandum with Russian search and IT companies like Yandex but without participation of Google. The main goal of this memo is de-indexing links to pirate web-resources without court order and elimination of all such links from search results. Russian search engines have signed this memo, but without enthusiasm. Book publishers and right holders also want to sign similar memo, because IT counterparts of memo underlined that the memo covers only audiovisual works.
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The experts in Russian government have assessed the recently proposed draft law on autonomy of Russian internet. And assessment underlines flaws of draft law, rather than its positive advantage. The draft law can impair the functioning of Russian internet, can make the authority of Russian internet watchdog – Roskomandzor – excessively broader and can entail high transaction costs for communication operators. The draft law also would not secure the stable functioning of Russian internet as it was initially declared by its authors.
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Online distribution of audio-visual content in Russia plays prominent and leading role in Russian internal market. The right holders take online distribution very seriously because it makes money even when the movie is not shown in cinemas. Anyway, the right holders are not happy with statistics provided by the online cinemas. On the basis of this statistics the cinemas calculate royalties and pay them to right holders. Right holders want statistics from the third party.
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Russian authorities decided to protect the purity of morals in Russian internet and clear out “all negative words” of insulting character, but only in relation to Russian authorities. In other words mass media, bloggers and any person can write in internet anything negative about any authorities except Russian in Russian segment of internet. In other words if you write something negative about Russian politician you could be punished in Russia under proposed law.
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Russian legislators have introduced new draft law aiming to guarantee an absolute autonomy to Russian segment of internet. Under proposed draft law the Russian internet watchdog would receive broad authority. The main purpose and objective of law is protection of Russian internet from external threat. The draft law provides regulation for traffic routing and control over compliance with this regulation.
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The Watch List reflects the results of stakeholder consultations. It presents examples of reported marketplaces or service providers whose operators or owners are allegedly resident outside the EU and which reportedly engage in, facilitate or benefit from counterfeiting and piracy. The aim is to encourage the operators and owners as well as the responsible local enforcement authorities and governments to take the necessary actions and measures to reduce the availability of IPR infringing goods or services on these markets.
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The law on restrictions for news aggregators in Russia has passed first reading in Russian state duma. The amendments are to be made till the end of this year. The Russian IT company Yandex, operator and owner of service Yandex.News, and Russian ministry of communication (MinCom) did not like the draft law. Both believe the law provides excessive regulation.
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Preservation by cultural heritage institutions (CHIs) faces legal uncertainty in the new technological environment. As in many cases preserving works requires copying them, the societal importance of preservation is reflected in national exceptions to the reproduction right for preservation purposes, which implement an optional EU exception for “specific acts of reproduction” by certain institutional users.
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Sound recordings are “works that result from the fixation of a series of musical, spoken, or other sounds, but not including sounds accompanying a motion picture or other audiovisual work, regardless of the nature of the material objects, such as disks, tapes or other phonorecords, in which they are embodied.”
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