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Mandatory collective management regime for different forms of online simultaneous retransmissions in EU

The few consumers who have replied (de) to these questions tend to consider that the extension of the regime to the simultaneous retransmission of TV and radio programmes on platforms other than cable is likely to increase the cross-border accessibility of online services. They also tend to oppose maintaining the different treatment of rights held by broadcasting organisations. Member States/public authorities, but also right holders, CMOs and broadcasters, recall that voluntary collective management, extended collective licensing and individual licensing are all used to clear rights relevant for the different new TV and radio transmission and re-transmission methods and services. In this respect some Member States argue that voluntary approaches lead to legal uncertainty since service providers cannot be sure that they have cleared all the rights or that the distinction between transmission and retransmission is not always clear.

Regarding the possible extension of the mandatory collective management regime to the simultaneous retransmissions on platforms other than cable, some Member States note that certain platforms (e.g. IPTV) are already covered by national provisions. Others are in favour of the extension. Finally, the Member States that expressed an opinion on a possible introduction of a system of extended collective licensing conveyed concern with regard to the possibility of using opt-outs, the risk of repertoire fragmentation and the lower level of legal certainty for retransmission service providers compared to mandatory collective management.

Right holders underline the important role of individual licensing and argue that current licensing approaches work well and no changes are required. Most right holders are against the possible extension of the mandatory collective management regime to the simultaneous retransmissions on platforms other than cable due to potential disruptive effect on the markets. Right holders also argue that extending the mandatory collective management regime could raise questions regarding compliance with international copyright obligations. Some right holders point to the potential negative effect on the value of rights.

CMOs’ views on the licensing of the different new TV and radio transmission and retransmission methods and services differ: some note that such “new services” are sometimes reluctant to engage in licensing; others consider that the current licensing approaches, notably voluntary collective management, work well. Some are concerned that the “direct injection” technology has led to challenges to the retransmission regime by cable operators in some Member States. The vast majority of CMOs are in favour of a possible extension of the mandatory collective management regime and do not find it problematic in the context of the international copyright obligations. Many insist that the extension should be limited to “closed environments” or services functioning “in a territorially limited way” because those services resemble cable retransmission services and should benefit from a level playing field.

Some CMOs, alongside some right holders and other service providers, see a need to abolish or change the provisions on the different treatment of rights held by broadcasting organisations, e.g. by making the transfer of rights from audio-visual producers to broadcasters conditional on the payment of effective remuneration to producers. Finally, while for some CMOs extended collective licensing is a well-working and recommendable system, many expressed concern as regards the possibility of using opt-outs, the risk of repertoire fragmentation and the lower level of legal certainty for retransmission service providers compared to mandatory collective management.

Many broadcasters see value in individual licensing of the different new TV and radio transmission and retransmission methods and services and consider that current licencing approaches work well. However, some public service broadcasters highlight the lack of an effective licensing system for third parties’ services allowing interactive access to broadcasters’ content (e.g. catch-up TV). Broadcasters are divided on the question of the possible extension of the mandatory collective management: commercial broadcasters tend to oppose it, while public service broadcasters support the extension and argue that no problems of compliance with the international copyright obligations would arise. Most of the latter suggest limiting the extension to “closed” networks or territorially-limited services provided using open internet.

Both commercial broadcasters and public service broadcasters (alongside some right holders, cable operators and CMOs) consider that the different treatment of rights held by broadcasting organisations should be maintained. Broadcasters are also divided on the merits of introducing a system of extended collective licensing: while for many commercial broadcasters direct licensing should be favoured whenever possible, some public service broadcasters support using extended collective licensing to enable the provision by third parties of services giving access to broadcasters’ content on an interactive basis where such content is clearly related to broadcasters’ linear (non-interactive) transmissions.

A range of other service providers complain, in general, about difficulties in clearing copyright for innovative audio-visual services. Some stress that the distinction between transmission and retransmission is not always clear. Cable and telecoms operators tend to be in favour of the possible extension of the mandatory collective management regime and consider that it could result in greater cross-border accessibility of online services. While some of them insist that the extension should be limited to “closed” networks, others argue that it should not be tied to particular means of communication, devices or “technology environments”. Nevertheless, some VOD providers see a danger that the extension could result in competitive distortions.